![]() ![]() ![]() Its modern ARM-based architecture, derived from the world’s most powerful effects processor, Eventide's flagship H9000 Harmonizer, gives the H90 the power to accommodate the ongoing creation of advanced, next-gen effects.Īlong with the iconic reverbs, delays, modulation, and pitch shifting effects of the H9 Max, the H90 offers 10 new powerful algorithms including state-of-the-art, fast-tracking, and warble-free Polyphonic Pitch Shifting using Eventide’s proprietary SIFT (Spectral Instantaneous Frequency Tracking) technology. The compact H90 features include comprehensive I/O, flexible routing options, an intuitive UI designed for players, and a built-in tuner. Building on the foundation of the H9 Harmonizer multi-effects processor, the H90 offers 62 effect algorithms and hundreds of program combinations curated for a variety of instruments and genres. Yes, that would be awesome! Let me know.Eventide Audio has introduced its latest addition to the storied Harmonizer family, the H90 Harmonizer next-generation multi-effects pedal. So much for the lamenting.I'll try to capture this sound for you today. I used to own a Boss GT 5 and I even though its A/D-converters are kinda outdated now I regret to have given it away because it had one single noisy/windy sound I used to play percussion with by hitting the strings with both hands that I just haven't been able to duplicate anywhere near the original. sometimes it is still f****** hard to duplicate the same sound on another machine. To get a bit philosophical: ain't it beautiful that even though we are dealing with all digital machines in this case, it seems like each one of them still has an individual character, resp. If I can manage to export this rig I will be glad to send it to you. I would like to involve my H9s into my Kemper rig as well, but I actually have found and been using a sound with the infinite button on the Kemper which I love very much. Possible answers to your question really interest me too. Is this possible to do with the Kemper and somehow assign a switch on the Kemper remote to just activate the "hot switch" on the H9? If so, I would probably just buy an H9 and be done with it.Īny help would be greatly appreciated. However, in order to activate the hot switch on the H9, I believe you have to send it CC commands. IF this sound is unable to be replicated by the Kemper, my next idea would be to get an H9 and put it in the rack with the Kemper since the Space pedal is too big. Does anyone have any experience with the sound I'm looking for? I could create a recording if this helps.īasically, I was really loving the idea of having only the Kemper and remote and not needing to rely on any external pedals (mainly so I only have one cable running to the remote and don't need to worry about power, etc.) I'm just afraid I won't be able to get away from this sound that is so unique to the Eventide though. ![]() Seeing the new "hold" and "infinite" features on the new delays in Kemper 5.0, I was thinking I'd be able to duplicate something similar to this. Unfortunately, the band wants me to control this because depending on the venue the timing changes (so it's not really a case for putting this part in tracks). There are a few spots throughout the live show where we use this. This would swell up with tons of feedback and then I'd hit the hot switch again to let it release with a nice decay. I've always used an Eventide Space on the Blackhole setting and then assigned the "hot switch" button to be the "infinite" setting on the feedback parameter. It's an integral part to my band's live show. I've mostly been able to make the transition (coming from pedals and amps) but I have one specific sound that I'm having a hard time with. I've recently switched to using the Kemper as part of my live rig.
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